Fantasy Science Fiction Young Adult
Madeleine L'Engle O'Keefe Family Time Quintet

An Acceptable Time – Madeleine L’Engle (1989)

1019 - An Acceptable Time - Madeleine L'Engle (1989)_yt
Goodreads Rating: 3.79 ⭐️
Pages: 368

An Acceptable Time by Madeleine L’Engle, published in 1989, is part of the renowned Time Quintet series, which began with the classic A Wrinkle in Time. This final installment in the series bridges L’Engle’s Time Quintet and O’Keefe Family novels, centering on Polly O’Keefe, a teenager grappling with temporal dislocation, ancient cultures, and spiritual reckonings while visiting her grandparents in New England.

Plot Summary

The leaves had just begun to turn when Polly O’Keefe arrived in New England to stay with her grandparents, the illustrious Dr. Kate and Alex Murry. The sharp autumn air carried the scent of apples and woodsmoke, and the golden hush of the season mirrored the quiet transformation stirring within her. She had come seeking deeper knowledge, studying science under the gentle brilliance of her grandparents, but the land itself seemed to hum with a different kind of wisdom – older, stranger, rooted in the stones and trees that whispered of times long past.

Wandering through the fields, Polly discovered the Grandfather Oak, an ancient sentinel that seemed to stand at the edge of time itself. There she saw a blue-eyed young man dressed in white, vanishing into the woods before she could speak. Soon after, another familiar figure emerged – Zachary Gray, a charming, troubled young man from her past, drawn to her with a desperate intensity that masked an inner darkness. His arrival, unannounced and uninvited, was unsettling in its timing.

The land was full of curious signs. An Ogam-inscribed stone surfaced in a weathered wall near the star-watching rock, a favorite Murry landmark. Bishop Nason Colubra, newly retired and staying nearby with his sister, Dr. Louise Colubra, took a keen interest in it. He spoke softly of ancient peoples and overlapping circles of time, hinting at a deeper knowledge he could not yet fully share.

Then came the night Polly saw the girl. While swimming alone in the Murrys’ indoor pool, she heard a knock at the window. A girl stood there, her hair in a long black braid, wearing soft leather clothes and a silver torque with a stone like a tear at her throat. She spoke with careful words, naming herself Anaral, saying she came from another time. And just as suddenly, she vanished into the darkness.

The next morning, Polly walked toward the star-watching rock again. A shimmer passed through the air, the earth quivered, and the world around her transformed. The forest thickened, the mountains sharpened, and a vast lake gleamed where farmland had been. Tents stood nearby, and people moved among them in the dress and rhythm of another age. She had crossed into a time three thousand years in the past – a time when the People of the Wind lived in harmony with the land and the sky.

She met Anaral again, and then Karralys, the blue-eyed druid who had arrived across the sea during a storm, bringing wisdom to this tribe. With him had come Tav, a young warrior with pale skin and sunburnt cheeks, who had survived a deadly fever under Karralys’s care. Anaral told Polly of the threshold she had crossed – a rare opening between times that allowed movement between circles, like electrons shifting in a molecule’s shell. Karralys and Anaral, both druids, could travel these paths. Polly, unexpectedly, had joined them.

Back in her own time, Bishop Colubra listened with great seriousness to her account. His past visits to the ancient world were real – he had taught Anaral and tended her wounds. He had seen the overlap of timelines and understood, more than anyone, the fragile bridge between them. He warned Polly to be cautious, but the pull of the threshold was too strong to ignore.

As Polly continued to move between times, she became deeply entwined with the People of the Wind. She observed their customs, their reverence for nature, their joy and sorrow. But peace in their world was faltering. A neighboring tribe, led by the fierce warrior Klep, threatened war unless the People of the Wind submitted to his rule. Karralys sought a path of unity, hoping to bring the two tribes together under shared understanding. Polly’s presence, he believed, was part of the answer – a gift sent through time.

Meanwhile, Zachary’s grip on the present tightened. His charm masked a growing illness of the heart – physical, yes, but more so spiritual. He learned of the threshold and begged Polly to take him back. She refused. The past was not a place for the unready. But Zachary, consumed by a need to escape death, followed her through the threshold on his own, breaking the delicate balance between worlds.

In the ancient time, Zachary was out of place – pale, coughing, and afraid. The People of the Wind tried to care for him, but he resisted their kindness. Tav, mistrustful of the outsider, clashed with him. Anaral, ever gentle, tried to soothe the tension, but the ripples Zachary caused could not be undone.

A great drought fell upon the land, and with it came fear. Klep saw weakness and advanced. Karralys, in a desperate act of peace, proposed a sacred ritual to unite the tribes through water-sharing and shared rites. But Zachary, sick and selfish, tried to take control of the ritual’s power, nearly destroying the fragile bridge between times.

Polly intervened. With Anaral’s help, she calmed the people and helped Karralys complete the ritual. Rain fell again, gently, washing the dust from the land. A tentative peace settled over the valley, and the ancient people turned to healing. Zachary, humbled and near death, was carried back to the present by Bishop Colubra and Dr. Louise. There, in a world of medicine and machines, he was given another chance – not just to survive, but to change.

Polly stood at the star-watching rock as the circle closed. She had seen a world long vanished and had left a part of herself behind. But something ancient remained within her – the music of Anaral’s voice, the strength of Tav’s silent presence, the wisdom in Karralys’s eyes. In the hush of the twilight wind, the leaves danced down once more. Time flowed onward, but not all of it had passed.

Main Characters

  • Polly O’Keefe – The intelligent and introspective protagonist, Polly is a linguistically gifted young woman staying with her maternal grandparents to pursue scientific studies. She is open-minded, compassionate, and brave, yet skeptical about the mystical forces she encounters. Her journey through time tests her identity, empathy, and spiritual faith, transforming her from a curious learner into an instrument of harmony across eras.
  • Zachary Gray – A recurring character from L’Engle’s universe, Zachary is charming but emotionally unstable. Haunted by existential dread and physical frailty, he represents the darker foil to Polly’s grounded idealism. His desperate longing for meaning and connection leads to morally ambiguous decisions, challenging Polly’s trust and compassion.
  • Karralys – A wise druid from an ancient time, Karralys embodies both ancient spiritual insight and scientific curiosity. As a time traveler like Polly, he serves as a bridge between reason and belief, the past and the future, guiding Polly and his own people toward unity and survival.
  • Anaral – A young girl from the People of the Wind, Anaral is kind-hearted and spiritually attuned, acting as Polly’s closest peer and confidante in the ancient world. Her gentle demeanor and intuitive understanding of the temporal overlap provide a vital emotional anchor for Polly.
  • Dr. Louise Colubra & Bishop Nason Colubra – Siblings and local scholars, these two are central to grounding the time-travel mystery. Dr. Louise is practical and scientific, while Bishop Nason provides theological and metaphysical insight. Together, they represent L’Engle’s ongoing integration of faith and intellect.
  • The Murrys – Polly’s grandparents, Dr. Kate Murry and astrophysicist Alex Murry, offer a warm, intellectual home and provide both scientific and emotional support. They serve as living examples of intellectual brilliance tempered by love and humility.

Theme

  • Time and Its Circularity – Central to the story is the concept of overlapping time circles, where ancient and modern worlds coexist. Time is not linear but fluid, and L’Engle explores how the past and present can merge to heal or harm depending on the characters’ actions and awareness.
  • Faith vs. Rationality – L’Engle masterfully intertwines spiritual belief with scientific inquiry. Polly, trained in empirical thinking, must confront and eventually accept metaphysical realities. The book questions the supremacy of one worldview over another, suggesting that truth lies in their union.
  • Sacrifice and Redemption – Many characters face personal sacrifices that test their morals and motivations. The theme of redemption—especially through love, forgiveness, and selflessness—threads throughout, ultimately defining the story’s emotional core.
  • Belonging and Identity – Polly’s journey is also one of self-discovery. Torn between her upbringing and the mystical past she enters, she must define who she is across time and culture. Her struggle mirrors universal adolescent quests for purpose and belonging.
  • Ecological and Cultural Preservation – L’Engle’s reverence for the land and indigenous knowledge surfaces through the People of the Wind and the depiction of ancient harmony with nature. She critiques modern detachment and implicitly advocates for cultural respect and ecological mindfulness.

Writing Style and Tone

Madeleine L’Engle’s writing style in An Acceptable Time is luminous and contemplative, blending poetic imagery with philosophical musings. Her language flows with elegance and clarity, often pausing to describe the natural world with reverence—autumn leaves glowing in gold, a stone wall whispering of the past, the rhythmic harmony of ancient chants. This lyrical quality contrasts gently with the scientific and metaphysical discourses embedded in the narrative, balancing beauty with intellect.

L’Engle’s tone is earnest and spiritually inquisitive. She doesn’t preach, but rather invites reflection through story. The warmth of familial bonds, the aching loneliness of Zachary, and the quiet wisdom of ancient voices are all treated with compassion and moral depth. Even when the novel ventures into peril or mystery, there remains an undercurrent of hope, forgiveness, and the possibility of communion across all divides—temporal, cultural, and emotional.

Quotes

An Acceptable Time – Madeleine L’Engle (1989) Quotes

“Truth is eternal. Knowledge is changeable. It is disastrous to confuse them.”
“My dear, I'm seldom sure of anything. Life at best is a precarious business, and we aren't told that difficult or painful things won't happen, just that it matters. It matters not just to us but to the entire universe.”
“But if I knew everything, there would be no wonder, because what I believe in is far more than I know.”
“My dear, I'm seldom sure of anything. Life at best is a precarious business...”
“What happens to what's happened?”
“We human creatures can make watches and clocks and sensitive timing devices, but we don’t understand what we’re timing.”
“The lines of love cross time and space.”
“Okay, Polly,” her grandfather said. “Let’s have some normal, ordinary lesson time. What is Heisenberg’s uncertainty principle?”
“Christ beneath me, Christ above me, Christ in quiet, Christ in danger, Christ in hearts of all that love me, Christ in mouth of friend and stranger.”
“When things are crazy, " her grandfather said, "dogs are a reminder of sanity.”
“William Langland, writing around 1400, said, ‘And all the wickedness in the world that man might work or think is no more to the mercy of God than a live coal in the sea.”
“One theory I find rather comforting is that time exists so that everything doesn’t happen all at once.”
“your behaviour must be such that when you go to bed at night you will be happy with what you have done during the day”
“The stars do not foretell, because what has not happened must be free to happen, as it will.”
“The sun does not rise in the sky in loneliness; we are with him. The moon would be lost in isolation if we did not greet her with song. The stars dance together, and we dance with them.”
“there are powers of love in the universe, and as long as you respond with love, they’ll help you.”
“God go with you.” “I don’t believe in God.” “That’s all right. I do.” “I’m glad.”
“When Zachary saw Annie, he entered the circles of overlapping time. Behold, I have set before you an open door, and no man can shut it.”
“Let us not try to understand the pattern, only rejoice in its beauty.”
“Life at best is a precarious business, and we aren’t told that difficult or painful things won’t happen, just that it matters. It matters not just to us but to the entire universe.”
“Anaral shook her head. “It is not in the goddess’s nature to destroy. She sends blessings. It is us, it is people who are destructive.” She left the tent abruptly.”
“Oh, zug,” Zachary grunted. “Not necessarily.” The bishop smiled slightly. “Sacred rites become zug, as you so graphically put it, only when they become ends in themselves, or divisive, or self-aggrandizing.”
“The day was gold and amber and russet and copper and bronze, with occasional flashes of flame.”
“What else is the electric chair or lethal injection than human sacrifice?”
“The Mother asks the sacrifice of love.”
“The stones do not tell us what is going to happen, or what we are to do, any more than the stars. They speak to us only of our present position in the great pattern. Where we are now; here. Sometimes that helps us to see the pattern more clearly. That is all.”
“Christ be with me, Christ within me, Christ behind me, Christ before me, Christ beside me, Christ to win me, Christ to comfort and restore me.”
“Yesterday’s heresy becomes tomorrow’s dogma,” the bishop replied mildly, and Polly thought once again of Giordano Bruno.”
“I enjoy cooking. It’s therapy for me. Louise’s therapy is her rose garden. You may note, Polly, that we don’t have any roses.”

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